Beginnings, by many various.
The List, Volumes I, II and III, by Paul Bedford, Henry Pop and Tom Bonin.
Each volume gets progressively thicker, and it's not really until the third of them that I finally felt caught up in the story.
There's a collected single volume now available.
The Dark Detective: Sherlock Holmes #7, by Christopher Sequiera, Phil Cornel, Dave Elsey and Paul Mason.
Continuing Holmes' run-in with Frankenstein's monster, this is pretty dense and verbose, relying heavily on dialogue and spoken exposition. Fab if you like the depth and backstory being injected, not so if you want to cut to the chase. Period appropriate art throughout.
Mongrel #2, by Bernard Caleo.
How does Caleo do it? I just KNOW this is set in Melbourne and no where else. His well-practiced ability to create a Melbourne-centric sense of place goes all the way back to his (and Tolley's) earlier great Yell & Olé and The False Impressionists.
I favour this issue – a more realist drama served in the 10 or so pages – to the fantastical treatment of historical characters of #1. As Caleo says though, at only 20 pages in, the story's not even begun yet.
The Thing That Should Not Be #s 1, 2 and 3, by Chris Hale, Wen Huang, Joshua Regan, and Mark Withington.
This is a really good little anthology, printing material by the same four contributors each issue. This steady contributor line-up helps with what can often be an odious task when following serial anthologies of getting used to new creators every issue, and the possibility of not getting the same level of quality issue to issue. It also makes it quite obvious that this is to be a showcase for these four, which is a good thing.
There are four very different styles here, which means the reader's not going to get bored, and they're mostly really good, which means any disappointment, if there is any, is short lived and slight.
Mongrel #3, by Bernard Caleo.
Caleo deftly outlines a new character (Salvation Jane) in a mere eight pages in this issue: her personality, resolve, determination, allure and attraction, relationships with two men whom she works with, and probably how influential to the developing story she'll be. And really, I don't like her already. But in a good, good way.